St. Louis Poetry Center

Observable Readings
for 2010-2011

Sept. 6:  Scott Cairns and Richard Newman

Oct. 4: Carl Phillips and Marianne Boruch

Nov. 1: Merrill Gilfillan and John Matthias

Jan. 3: Steve Schroeder, Eileen G'Sell and Kristina Marie Darling

View Past Seasons

Schlafly BottleworksObservable Readings

are held at 8 p.m. on the scheduled dates at the fabulous Schlafly Bottleworks at 7260 Southwest Ave. in Maplewood. Click here for a map. Admission is free.

First Thoughts from
Observable Readings

Jeff Hamilton

Observable Readings launches this fall in a new direction. For five years Observable was stewarded by Aaron Belz, who in his amazing social energy for all things poetic and edifying, founded a series called "Readings At . . ." | Read More

First Thoughts Archives

Observable Readings Opens 2010-2011 Season with Scott Cairns and Richard Newman on Sept. 6

Tuesday, July 13, 2010 at 05:48 PM

When a roll call is taken of "poets of faith," names come to mind such as Mary Karr of The Liars' Club fame, Pulitzer-Prize winner Franz Wright, and Kathleen Norris, the author of Dakota: A Spiritual Geography.

 Another name in the top tier of such poets is Scott Cairns, a professor of English literature and creative writing at the University of Missouri-Columbia and a recipient of a Guggenheim Fellowship in 2006. However, if anyone is expecting the poetic equivalent of stained glass from Cairns, he or she instead should expect broken glass, or even flung open windows. Cairns is a poet at once theological, erotic, and comedic. As one interviewer once wrote, "Ask Scott Cairns a question and you're likely to end up his straight man." Who else could crack jokes in a series of poems titled "Adventures in New Testament Greek?" Author Annie Dillard, however, sounds a little more serious when she says, "Scott Cairns is one of the best poets alive."

Cairns' recent collections of poetry include Philokalia, Compass of Affection, and Recovered Body. He is working on a new collection with a tentative title of Idiot Psalms. His most recent work, a book-length essay titled The End of Suffering: Finding Purpose in Pain, was published by Paraclete Press in 2009.  His work has appeared in the Best American Spiritual Writing anthology in 1998, 2000, 2004, 2005, 2006 and 2008.  To enjoy a selection of his work, click here. To read an interview  with Cairns, click here.

The Riverfront Times named Richard Newman "best local poet" in 2008, but this literary light of St. Louis shines on a national level, too. His poem "Briefcase of Sorrow" was picked by former U.S. Poet Laureate Billy Collins for inclusion in Best American Poetry 2006. Other poems of Newman's have appeared in the online poetry showcases Verse Daily and Poetry Daily, and on Garrison Keillor's The Writers Almanac on public radio.

Newman owes his growing reputation to a sense of humor that fellow poet Molly Peacock calls "savage" and a sense of heart that is ultimately compassionate. "His greatness, for all his technical skill," writes Maura Stanton, another poet, "is to give us a sense that we are all in this together, that he's out there for all of us, figuring out how to make sense of muddled, disappointed lives."

Newman is the author of two full-length poetry collections, Domestic Fugues (Steel Toe Books, 2009) and Borrowed Towns (Word Press, 2005), as well as several poetry chapbooks, including Monster Gallery: 19 Terrifying and Amazing Monster Sonnets!  He edits the literary journal River Styx, co-directs the River Styx at Duff's Reading Series, and teaches at Washington University and St. Louis Community College, rounding him out as a true man of letters. To read a selection of his poems, click here. To read an article in The Riverfront Times about the River Styx journal and poetry series and Newman's role in them, click here.

 

Poets Carl Phillip and Marianne Boruch Bring Their Sweeping Power and Surprise to Observable Readings on Monday, Oct. 4

Thursday, September 09, 2010 at 08:05 PM

Carl Phillips has been an important national figure for years, bringing credit to Washington University, St. Louis, and to the art of poetry.  His considerable output of poems (11 volumes, including Double Shadow, forthcoming next spring) reflects a voracious creative energy and bountiful intelligence, all the more remarkable when one consider the demands of his public appearances and his central place in the graduate writing program at WU.  He holds a joint appointment as professor in both the African and Afro-American Studies and English Departments.  

 His poems "explor(e) the spaces, moods, and metamorphoses of desire" (Boston Review), moving deftly between natural, domestic, sensual experiences into spiritual, metaphysical, and classical dimensions.  He draws on his background in classicism for many of his ambitious and architecturally complex poems, and that learning and respect for tradition gives him sweeping power.  Yet--and this is part of his grace and generosity--his wit, his ease with common speech, and his desire to be clear and precise reveal his pleasure in the reader's pleasure.  He respects us and he gives his best to us.

 Carl Phillips has won the Kingsley Tufts Poetry Award for Pastoral (2000) and the Lambda Literary Award for From the Devotions (1998).  He was a finalist for the National Book Award for Cortége (1995) and a finalist for the National Book Critics Circle Award for In the Blood (1992).  In addition to numerous individual honors, his poems have been chosen eight times for the annual Best American Poetry Series series. Phillips is also the author of a book of prose, Coin of the Realm: Essays on the Art and Life of Poetry (2004), and the translator of Sophocles' Philoctetes (2003).  To hear an audio recording of some of Carl's poems, click here.  To hear Carl talk about his new book Speak Low and read poems from it, click here.

 

In a recent interview, Marianne Boruch described her writing process this way: "I like to say I'm of the begging-bowl theory of poetry. You put out your begging bowl and see what drops into it." The result is a poetry of surprise and discovery, poems that pay careful attention to the sensory world and the responses of the body and mind to it.

Whether meditating on a hawk feeding on a grackle ("The Hawk") or on a leaning, empty ladder ("Ladder Against House"), the poems slip smoothly between the exterior and the interior, between the things of the world and our meager apprehension of them. Boruch is interested in dream, and in what we see when we wake up and look out the window.

Marianne Boruch teaches in the MFA program at Purdue University and in the low-residency program at Warren Wilson College. She has written six books of poems, most recently Grace, Fallen From (Wesleyan, 2008). Her Poems: New and Selected was published by Oberlin College Press in 2004. Additionally, she has written two books of essays on poetry: Poetry's Old Air (University of Michigan, 1995) and In the Blue Pharmacy: Essays on Poetry and Other Transformations (Trinity, 2005). Her work has been recognized with two Pushcart Prizes, fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and residencies at Ragdale, the McDowell Colony, The American Academy in Rome, and elsewhere. Click here to read some of Marianne's poems. To hear an interview with her, click here.